Jean Baudrillards concept of the orders of simulacra Essay Example for Free

Jean Baudrillards concept of the orders of simulacra Essay A commodity appears at first sight, a very trivial thing, and easily understood. Its analysis shows that it is in reality, a very queer thing, abounding in metaphysical subtleties and theological niceties (Marx). It has long been a condition of western culture to act for the accumulation of material objects. This is in part due to the capitalist nature of the world within which we live. Marx identifies in The Critique of Capitalism the emergence of two new classes of people, namely capitalists and labourers. The term capitalist describes any person who has personal ownership of capital, which consists of raw materials, instruments of labour and means of subsistence (Marx). In contrast a labourer has only the value of his labour (life activity), which he exchanges with the capitalist for a wage and as such the worker sinks to the level of commodity (Marx). Because the labourer produces for the capitalist a commodity of greater value than that of his wages and in addition those wages are paid back to the capitalist in return for subsistence, therefore social control in exerted over the working class, whilst providing the capitalist with excess commodity. The labourer consentingly becomes a slave to the system on which he depends. In addition Marx states that as the relation between capitalist and labourer (manufacturer and consumer) develops, so competition between rival capitalists becomes apparent. In effect the capitalist is forced to capture more of the market by selling goods more cheaply by the consolidation and exploitation of labour power e.g. by machinery. Such a strategy ultimately limits the demand for labour and so new industries must be developed for exploitation. These new industries are necessary because capital exists only in relation to its ability to command labour and social control and as such they reciprocally condition the existence of each other (Marx). These forced increases in demand and therefore production are evident in the contemporary world market. Important to the development of Capitalism is the use of money which abstracts labour and commodity values to a common unit for the purpose of trade. In effect the labourer discovers that the product of his activity is not the object of his activity (Marx) thus a level of abstraction occurs, which was consistent with the modernist values of the time. Karl Marx and early capitalism were mainly concerned with production which remains important but it was Situationist, Guy Debord, who gave the first insights into late capitalism and the theories that best apply to todays world economics and culture of commodities. Debord, in his book The Society of the Spectacle, bases his examination of commodities around consumption, media, information and technology. As such Debord suggests that in societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation. By this he means to describe the world and its products as mere appearances, where the real meanings and values of commodities are translated into signs. Essentially it is a world vision that has been objectified (Debord). Debord explains the phenomenon of the spectacle as resulting from the ever increasing production of capitalism. Because competition between capitalists inevitably leads to an excess of produce, so consumer demand must be increased. Such an increase is controllable by the spectacle as the real consumer becomes a consumer of illusions, (Debord) so he can be manipulated to believe he must consume beyond the basic necessity for survival e.g. leisure products. Therefore the spectacles form and content are identically the total justification of the existing systems conditions and goals (Debord). The spectacle is mediated in society as information or propaganda, as advertisement or direct entertainment consumption, (Debord). The effects of the mediated spectacle tend to lead the consumer to an experience of alienation as the consumers want for commodities is dictated to serve and maintain capitalism. In addition the spectacle constantly reinforces itself, for example the television, which is in itself a product of the spectacle that is then used by the capitalist to implement the advertisement of other spectacles. Essentially the spectacle is the nightmare of imprisoned modern society (Debord) and explains the transition from the degradation of being into having to having into appearing (Debord). Jean Baudrillard took Marxs Critique of Capitalism and Debords The Society of the Spectacle to their conclusions with his own theory of simulation and simulacra. Similar to the idea of the spectacle, Baudrillard describes a world where the subject of everything has been replaced by a semiological value that has become more important than the original, real meaning of the object. This object he calls a simulacra. In Simulacra and Simulation Baudrillard adds extra complexity to these ideas by establishing a hierarchy of simulation, which he gives four orders. In the first order the object is a copy of an original and so can be linked to a basic reality, for example a photograph of an actual event. The second order of simulation misrepresents the original subject; in the example the photography has been digitally manipulated in Photoshop to present a non-occurrence. In the third order a reality is recreated from a simulation of an original reality, when in fact, through the process of simulacra, the original has been lost, e.g. a scene is recreated from the digitally manipulated photograph of the original event. Finally, the forth order of simulation is the combined process of the first, second and third order to such an extent that the object bears no relation to reality or the original, for example the photograph has become a virtual reality. In this instance the link between reality and the signifying systems is almost impossible to ascertain, thus creating a hyper-reality. It is the use of one simulacra as a basis for the formation of another simulacra that shows the first signs of relevance to post modernity. Consequently, in post modernism, everything is understood in relation to everything that has come before, which in design manifests itself in referencing. Post modernism is also concerned with the fact that there is no right or wrong and essentially that no real truth exists. It is of course possible for a sign to make a transition through all four of the orders of simulation, constantly abstracting meaning and widening the gap between simulation and reality. However due to the complexity of repeated abstraction and signification it becomes necessary for an amount of speculation and simplification to occur when examining transitional examples. If we take, for example, the now famous emblem of automotive company Rolls Royce, it becomes apparent the extent to which a symbolic object can be re-simulated, each time loosing a part of its original meaning. Spirit of Ecstasy, designed by sculptor Charles Sykes and mass produced in 1911, is a cast metal emblem representing the figurine of a girl with arms outstretched to hold the folds of her gown blowing in the breeze. To the present day this emblem has been displayed on the bonnets of Rolls Royce cars and is the first order of simulation in terms of it being a representation of a real person from which the sculpture has been modelled. The object also references the figure heads of classic sailing ships in an attempt to convey the automotive product as an elegant, quite and reliable vehicle, which were the mediated associations with the brand during the early development of the company. In this instance the object enters the third order of simulation as a real event (model posing for sculptor) is created from an existing symbolic object (sailing boat figure heads) in order to be recreated as a new symbolic object (Spirit of Ecstasy emblem). At this point it is important to note that this example as an investigation could examine many more stages of referencing prior to the signs use as figure heads, though this could prove too difficult and inaccurate, again reinforcing the existence of a hyper-reality. The tea pot, designed by Michael Graves in 1985 for Alessi, brings the symbol to its conclusion. The tea pot employs a plastic emblem of a bird that is attached to the spout of the kettle and creates a whistling noise when the water is boiled. This creates a pun between the whistling of a kettle and the singing of bird but more importantly, its similar visual appearance (i.e. the wings of the bird and the outstretched arms and gown of the girl) makes a reference of Rolls Royce cars. Because during the late 20th century the values associated with Rolls Royce have matured to convey the brand as one of top class and status, so it are these value that are associated with Graves tea pot, supposed to the original associations that Rolls Royce was referencing from classic sailing ships. Therefore the product has clearly entered the forth order of simulation is it holds no relation to the original meaning that the original object as sign attempted to represent. Also, by referencing past signs, it can be described as a post modern object. Like Debord, Baudrillard agreed that simulation was important to the survival of capitalism as it, through mediation, can control the level of consumption within society. Baudrillard used the term valorisation to describe the process through which symbolic objects attain value. An excellent example of valorisation is Pokemon cards, which are essentially printed illustrations on card and so their use value is very low. However, via mediation, Pokemon cards have been given a simulated symbolic value that has made them desirable and powerful as a commodity. As well as design, Baudrillards theory of simulation and simulacra has also proved influential in film making, for example in The Matrix, directed by the Wachowski brothers. The Matrix is set in the future at a time when the real world has been reduced to a desert waste land by a war between humanity and machines; after the invention of artificial intelligence. Because the machines are dependant on solar power, the humans have caused the equivalent of a nuclear winter by blocking out sunlight. This has caused the machines to retaliate by imprisoning humans in gel filled pods so that energy can be extracted from them in the form of heat. In order to control the humans in this procedure a computer simulated world called the matrix exists, that all of the imprisoned humans are connected to, living their lives in what they believe is the late 20th century, oblivious to the fact that their real bodies are in stasis in the real world. The film therefore acts as a metaphor for contemporary western cultures. Firstly the matrix is an existence of the fourth order of simulation in that it is a system of mere signs that are completely detached from reality, i.e. hyper-reality. Just as in contemporary cultures, the people who live in the matrix are unaware that they are controlled by a system through simulation. You are a slave, neo, like everyone else you were born into bondage, born into a prison that you cannot smell or taste or touch, a prison for your mind What is the matrix? Control. The matrix is a computer generated dream world built to keep us under control in order to change a human being into this (he holds up a copper battery) (Morpheus talking to Neo, The Matrix). In addition the film suggests that the prisoners of the Matrix are also dependant upon it, to the extent that they will fight to protect it. Baudrillards idea of mediasation appears in the film when it is suggested that there was a machine spawning a whole race of machines (Morpheus talking to Neo, The Matrix), thus the social control of the machines (mediation of signs) increasingly exert themselves with every new generation. Interestingly The Matrix seems to offer a solution to simulation and social control by the system, which is one of enlightenment. Once Neo understands the systems and can see the signs (computer code) of the matrix for what they really are, then he can choose to follow a different set of rules thus gaining control of his environment. As well as a theological basis on Baudrillard, The Matrix tends to convey the story via symbolic references and thus is post modern by nature. For example the follow the white rabbit scene employs a tattoo of a white rabbit, which is referenced from Alice in Wonderland in order to convey the uncertainty in discovering the truth of an alternate reality. In the same scene Neo also opens a copy Baudrillards Simulacra and Simulation in effect reinforcing links to that element of the film. In conclusion, I have identified the main themes surrounding Baudrillards orders of simulacra and simulation, shown how they relate to modern and post modern design and have given contemporary examples of their use in product design and film making. I believe that such an understanding of simulation has served well to better understanding referencing in post modernity. References Debord, G., (1977) The Society of the Spectacle, Black Red Poster, M., (1998) Jean Baudrillard: Selected Writings, Polity Press Tucker, R. C., (1978) The Marx Engels Reader Second Edition, Norton Company Bibliography Hebdige, D., (1994) Hiding in the Light, Routledge http://www.geneseo.edu/~bicket/panop/baudrillard.ht http://www.artisanitorium.thehydden.com/nonfiction/film/matrix.htm http://www.rolls-roycemotorcars.com/master_frame.html

Holland Tunnel Essay -- History Historical tunnels Engineering Essays

Holland Tunnel It has taken engineers thousands of years to perfect the art of digging tunnels. Today tunnels provide available space for cars and trains, water and sewage, even power and communication lines. However, before cars and trains, tunnels carried only water. The first to use tunnels on a major scale were the Romans. Roman engineers created the most extensive network of tunnels in the ancient world. The Romans built aqueducts to carry water from mountain springs to cities and villages; however, in many instances there were obstacles, such as rock formations, in between the spring and the city of interest. To solve these problems the Romans built tunnels by carving underground chambers and building elegant arch structures to carry fresh water into the city and wastewater out. As transportation technology progressed the demand for tunnels also evolved, and by the 17th century tunnels were being constructed for canals. Before the use of roads or railways to transport raw materials from the country to the city, waterways were the best way to haul freight over great distances. The major expansion in tunnel construction came with the introduction of the train and the automobile in the 19th and 20th century. The first major underwater mechanically ventilated tunnel was the Holland tunnel; it set the stage for all tunnels to follow by tackling the engineering obstacles surrounding underwater automobile tunnel traffic. With the rapid rise of the auto at the turn of the century Hudson River ferries struggled to meet demands and were carrying 30 million vehicles each year between New York and New Jersey. In 1906 a joint commission between New York and New Jersey was created to bridge the Hudson between Manhattan and Jer... ... normalize. The bridge opened in 1927 at the time the toll was 50 cents and the trip took eight minutes. The tunnel, when it opened, was the longest underwater tunnel in the world, with its north tube 8,558 feet long and its south tube 8,371 feet long. On its first day of operation 51,694 vehicles passed through it. The total cost of the tunnel was $48 million. Today, it would cost approximately $1.4 billion not including the purchase of the necessary land from Manhattan and Jersey City. Work Cited http://www.nycroads.com/crossings/holland/, Tuesday October 2, 2004 http://www.panynj.gov/tbt/htframe.HTM, Tuesday October 2, 2004 http://www.panynj.gov/tbt/hthist.HTM, Tuesday October 2, 2004 http://www.nycroads.com/crossings/holland/, Tuesday October 2, 2004 http://www.pbs.org/wgbh/buildingbig/wonder/structure/holland.html, Tuesday October 2, 2004

Fantastic Literature Essay

Fantasy is a product of our subconscious minds. Just like the stories of the past, fantastic literature tries to give its messages with an indirectly way for making an impact to our subconscious minds. In other words, Fantastic literature is a genre of fiction that uses imagination, magic, supernatural elements such as ghosts, harpies, trolls, mermaids, nymphs, vampires, centaurs, personifications, allegories and unrealistic elements as its primary plot element, theme or setting. Many fantastic works includes an imaginary world where magic and fantastic creatures are common. The best known and successful English work for the genre is J.R.R. Tolkien’s The Lord of the Rings triology. But there are lots of successful works and famous writers of the genre such as Dante Alighieri’s The Divine Comedy, Stephen King’s The Dark Tower, George R.R. Martin’s A Song of Ice and Fire, J.K. Rowling’s Harry Potter and H.P. Lovecraft’s collection of stories ab out Cthulhu Mythos. The fantastic literature starts with the bed time stories in childhood such as fairy tales or folk tales to give instructions. We can say, it has a special appealing to children because of its didactic nature for giving moral lessons. Moreover, the children are too young to know the difference between real and the fantasy. Much of these folk tales comes from the times of Middle Ages where the place storytelling has an importance. This importance changed by the time due to technological advancements because rational progress decreased the amount of these stories. It happens to everyone when you grow up, the advancement of rational progress can decrease your superstitious beliefs and imagination. But using the middle age as setting, establishes a perfect base for fantastic stories because of the lack of technology, dogmatic thoughts and the importance of storytelling. Therefore even in our time, the fantastic works uses the middle age as its setting and much of the works in fantastic literature takes place in Middle age. When we come to its origin, in western culture, the origin of the fantastic literature depends on the mythic stories. But if we specifically give a document name for the genre, then we can say its origin comes from the stories of Homer The Iliad and The Odyssey. In eastern culture, this origin comes from Arabian Nights. The iliad and odyssey gives us the definition of the genre in the first place because of its contents. In case of Odyssesy, it includes gods, monsters such as centaurs, Cyclops or witches and wizards. And there is also a quest in the story as its plot. Odysseus tries to return to his home at Ithaca but he is not allowed by Poseidon because of his insults such as killing his cyclop son and claiming that he won the troy with only his own mind tricks. It is quiet similar to the stories of the Arthurian Romance such as Sir Gawain and the Green Knight because of their usage of quest as framework. Same thing is in use in the case of LOTR. As a characteristic of the genre, there is always a quest in a fantastic work. Many of them include a universe as their setting look alike Middle ages because it is easy to create stories when you created the universe. There are also some common themes of the genre such as Good vs. Evil, Deceived heroes, making a sacrifice for saving the earth, journey to unknown etc.. All of these elements are in Fantastic literature to give lessons. The sign of a Fantast ic work is the inclusion of fantastic elements, a self-coherent setting as a universe to take place in and the inspirations from the mythology or folk stories. It gives a freedom of expression to author for explaining a rational sense within a supernatural framework. Therefore it may confuse the reader but there is always a message in these fantastic stories. It starts with the fairy tales in childhood. Fairy tale: Fairy tales a stories that contains a message and has an appealing to children for giving instructions with an indirectly style and by showing example through the story. Fairy tales aims to give moral lessons to its audience. Therefore, it is the first tutor of the mankind. They may include elves, dwarves, fairies, giants, ogres, trolls, goblins, mermaids, witches and wizards. There is always an adventure or a quest in these stories. But they are different than the legends in essence because there may be a truth behind the legends. Ancient Greeks are often accepted the legends as real events and told their stories for centuries but they didn’t the same thing for the folk tales. There is always a certain pattern in these fa iry tales, all of them starts with same word Once upon a time for implying that the story takes place in an unknown time. There is also a happy conclusion at the end of these stories such as â€Å"they lived happily ever after†. They can be found in oral or literary form but it is hard to trace their origins. Many of them may appear in different cultures with variations. Much of them appeals to adults but they are often associated  with children. There are some collectors of these folktales such as Grimm Brothers and Charles Perrault. Folklorists have classified the fairy tales with various ways. Among them Vlademir Propp is one of the most notable with his Morphology of the Tale. Vladamir Propp was a Russian folklorist scholar who analyzed the framework of Russian folk tale and published his analysis with name of Morphology of the Folktale in 1928. In his work, he divided fairy tale into sections and through these sections he tried to define the series of sequences within a fairy tale. To him, a fairy tale usually starts with an initial situation. And right after that there are 31 different se quences with different functions. He used this method to analyze the frame work of the Russian folk tales. Propp’s morphology is an exemplar for the analysis. In this type, the structural organization of a folkloristic text follows a chronological order as linear. Therefore, we can see if the tale has all of these elements from A to Z. Also we can give a name to those sequences. A tale usually starts with an initial situation such as with the enumeration of the family or the brief introduction of the hero. And after this point there are 31 sequences. Absentation: In this part, a member of the family leaves the home such as a prince may leave home to go for a journey by leaving his wife back. This absentation can also be someone’s death or going for a walk, fishing..Interdiction: In this point, the instruction comes to the hero such as don’t change your way, don’t talk with stranger, take care of your little brother to preparing a base for the further calamity. Violation: A counter action happens against to interdiction such as hero often violates this limitatio n and leaves the right way, talks with strangers. At this point a new person enters the story. And it could be a dragon, wolf, witch or a stepmother as a villain. Reconnaissance: Villain makes an attempt to find something. Villain is in search of something valuable or information such as the location of the children, wolf’s aim to find the goal of Little Red Cap by questioning her. Delivery: Villain receives a directly information to his questions. The wolf learns the house of the grandmother. Trick: The villain makes a persuasion. It is an attempt to trick his victim in order to take possession for his victim. Dragon turns into a golden goat, the witch turns into an old beggar and tries to give poisonous apple, wolf tries to act like grandmother by wearing her clothes. Complicity: The victim accepts the deception and helps  his enemy without knowing. Princess accepts the apple, The wolf acts like grandmother and little red cap could not recognize it. Villainy or lack of something: The villain causes harm or injury such as princess falls into a sleep after taking a bite from the apple, the wolf devours the little red cap as a result o f violation of the interdiction. One member of the family is in lack of something or desires to have something. The Prince intends to search for his bride, A magical agent is needed to wake someone up, huntsman tries to find a prey Mediation: the hero enters into tale with a quest or he is dispatched. The prince appears and decides to go for a journey to the tower of sleeping beauty, the huntsman appear hearing the snores of the wolf by thinking that there must be something wrong. Beginning counteraction: The hero sees the situation and decides to do something, the huntsman sees the belly of the wolf and thinks that he devoured them, the prince hears the story of sleeping beauty. Departure: the hero leaves home to make a counterattack. First function of the donor: A donor appears and meets with the hero or greets him for testing him to give some kind of a magical agent. The hero’s reaction: hero gives an answer to donor such as making a help to him, showing mercy, completes a service, learns some tactics, The hero receives the magical agent: he receives some kind of a power to defeat to evil. The transference between two kingdoms: The hero is transferred from one place to another to whereabouts an object or search. The hero flies through air on a bird, or travels on a boat. Struggle: The hero and the villain fights to get something for themselves. Branded: the hero receives a wound during the fight. Victory: the villain is beaten during the open battle or loses the game of cards. Liquidation: The initial misfortune resolved, spell casts off, captives freed Return: the hero returns to his home Pursuit: The some kind of evil pursues the hero and tries to kill him Rescue: the hero is rescued from the pursuit, an obstacle may delay the pursuer, the hero hides or saves his life from the pursuer. Unrecognized arrival: hero returns his home but no one recognizes him just like in the case of  Odysseus. False claims: A false hero appears and presents unfounded claims. DIFFICULT TASK: Difficult task proposed to the hero (trial by ordeal, riddles, test of strength/endurance, other tasks); SOLUTION: Task is resolved; RECOGNITION: Hero is recognized (by mark, brand, or thing given to him/her); EXPOSURE: False hero or villain is exposed; TRANSFIGURATION: Hero is given a new appearance (is made whole, handsome, new garments etc.); PUNISHMENT: Villain is punished; WEDDING: Hero marries and ascends the throne (is rewarded/promoted). Grimm Brothers were two unusual German scholars, linguists, academicians and great philologists that lived in the 19th century. Jacob and Wilhelm Grimm were two brothers and these brothers were nationalists and intended to collect the old Germanic stories and publish them to show the universality of German language. They were very interested with the Germanic folklore tales and dedicated rest of their lives to collect these tales. Therefore they collected stories and folk tales from the country and represented a pure form of national literature and culture. They established a kind of methodology for recording and collecting these folk tales and later on it became a basis for the folklore studies. They published their first collection of Germanic stories, and folk tales in 1812 with the name of Children’s and Housholde Tales. Their stories, includes the all details of German language and Germanic cultural identity. Their works translated into more than 100 languages. The most important and famous stories of them are Rapunzel, The Snow White, Hansel and Gretel, Cinderella, The Frog Prince and Little Red Cap. Little Red Cap Little red cap is a Germanic folk tale that published by Grimm brothers in their story collection known as Children’s and Household Tales in 1812. It is the 26t1h story of this story collection. It tells the story of a sweet but not obedience girl known as little red cap because of her famous Red Hood. But behind the background of the story, it is a story about grow up by leaving the naà ¯ve thoughts behind. It is a story that questions the curiosity of the children and urges them to leave these thoughts and get mature by following rules. By using the big bad wolf as a villain, it gives  us a message that don’t be so naà ¯ve, these fine gentlemen are nothing but greedy wolfs and they are so hungry for using your naivety for their own sexual purposes. So, follow your rules and don’t ever change your way. It can be interpreted as a moral tale, to give a message such as don’t talk with sexual predators. After the brief presentation of the characters, the story starts with an absentation in which the grandmother is sick. So her mother gives her a bucket and says bring this to grandma and don’t leave the path or you might break the glass. This is our interdiction and our quest. But she doesn’t listen to her mother, a counter action (violation) happens against to interdiction and wolf makes an entrance to story. The wolf questions the little red cap, this is our reconnaissance. And she answers all its questions with a naivety and describes the way that goes to her grandma. (delivery). The wolf goes there devours grandma and takes place of her (trick). She comes to house and accepts its trick without knowing what it is (complicity). And wolf devours her as result of her wrong actions (Villainy harm). Some versions of the story like Charles Perrault version ends in here but Grimm version continues. The huntsman makes an entrance to story (mediation). And he decides to free grandma and little red cap(beginning of counter reaction). He cuts the bell of wolf with a scissor and saves them both. This is the rebirth of Little red cap as a mature (Struggle, branding, victory, liquidation ). In any case, it is a story of puberty rite in which the red cap born again as an adult woman and learns how to act against to odds. After that point she doesn’t cares about the other childish things. The advancement of her rational progress is ending her childhood. The Frog King- Iron Heinrich The frog king is the first story of Jacob and Wilhelm Grimm which they published it in their folk tale collection known as Children and Household Tales. The frog king is all about the glimmers of emotional life where they are developing in the first place, the childhood. It is story about sexual awakening in human beings, its acceptance and maturation process in human beings. There are some symbols in the story such as the frog, the princess and the Golden ball. The frog is the symbol of production and fertility and it is connected with witchcraft. Princess is the symbol of purified aspect of human soul and the golden ball is the symbol of perfection. The princes  in this story, is so beautiful, even more beautiful than sun that is explains her relationship and her desires towards to golden ball. When she lost the ball, she grieves at not only her ball but also grieves over her loss of innocence. She thinks that she will not be the whole again. But the only thing that can make her whole again is an ugly frog. She likes herself and this situation represents her narcissistic psyche. In the story, the princess increasingly becomes more anxious, angry and full of fear with the idea of marrying with a frog. She is not yet ready for the marriage. As the frog comes closer to her, she becomes more disgusted. This is also gives us her idea about awakening of sex throughout the puberty. But actually she becomes more a person while the frog comes closer to her. The father in this story is responsible for the marriage of the princess and he commands her to keep her word. Her actions are all under her id and there is a need for the development of super ego in her personality. Therefore, the responsible conscience of King helps to development of superego in child’s mind for bringing happiness, love and marriage to her life. And to become whole again, she finally decides to throw it against to wall by taking all the risks to gain her independence. This moment of violence is a painful experience but it is necessary. By doing so, she transcends her anxiety and hatred into a love. She becomes more a person by developing identity and her ugly frog turns into a handsome prince in her eyes. Snow White The story of Snow white is a Germanic Folktale that published in 1812 by Grimm brothers in their Collection of stories known as Children’s and Household Tales as the 53rd story. It is a story about the cycle of life as can be seen from the color symbolism of the story. But it also increases the theme of maturation process of a girl through some tests. It is a very common theme which can be found in the stories of Grimm brothers maybe because of the fact that their informants were woman or to put an emphasis on marriage for representing its importance in a feudal and patriarchal German society. Who knows? Anyway most of their stories are including these themes of Marriage, maturation, loss of innocence, growing up and including these damsels in distress as main characters. And in most of their stories the true love comes after the defeat of self-love as reward of maturation. Story starts with a queen’s wish to have a baby like white as snow, red as  blood and black as wood. It is a kind of symbolism of life that represents the natural cycle of life in which after every death a life starts to its lifetime. As a result snow white represents this natural cycle, she is the personification of this cycle. As soon as she born, her mother dies in order to give a birth to her. And that is also another emphasis that given to represent this cycle. After this point her unconcerned king father marries with another woman who is wicked. The unconcerned personality of King, although there is no king in the story, represents the feudal European perspective of seeing women as object. The personality of stepmother is another issue; she is the personification of immatureness. It is clear that she has failed in her personality development to have an identity. Therefore, she has only the self-interest just like the princess in The Frog King or Iron Heinrich. Therefore she plays her role to prevent Snow White for reaching her age because of her envy, pride and hatred. She orders to huntsman to kill her but he spares instead of killing her. He spares her because of potential status as a woman and bringer of new life. Therefore, the existence of huntsman also is a foreshadowing for the union of the opposite forces such as man and woman. In the story she deceives Snow White for three times and each times represents another aspect of life just like the color symbolism. In the first with a lace to prevent breath (White) which represents the spiritual matureness, second with a comb (Black) to represent the physical matureness and in the last with a red apple (red) to represent death or blood for establishing a basis for the death of childhood and the rebirth of as mature woman. Sleeping in a glass coffin also supports this idea of rebirth as a mature woman. Glass coffin represents the being in a woman’s womb. In essence, the witchcraft of queen was nothing but a test. After completing all these tests she becomes a mature woman and young prince appears as a reward. She marries with him. Therefore, completing these tests is essential in human life and story tries to put an emphasis especially to this aspect of life. The real love comes with maturation and with the sacrifice of childhood, it is necessary to get a real identity. And the time of union puts an end to the efforts of retarding powers with the hot iron shoes. The queen dies as dancing for celebrating the rhythmic cycle of life and death. All in all, Snow white is a story that explains the nature of creation, how something new comes into being through the  repetition of same cycle of transformation which is necessary in a traditional society. Cinderella The story of Cinderella is a European folk tale which published in 1812 by Grimm Brothers as the 21st story in their collection of Folk tales known as Children’s and Household Tales. It was also published by Charles Perrault in 1697. The Grimm version of the story is a dark version because it doesn’t include a fairy mother, pumpkin that turns into a carriage, animals that turns into henchmen. In Grimm version there is a Grant tree and talking pigeons. There is forgiveness in Perrault’s story for stepsisters but Grimm version there is a punishment for sisters in which stepsisters are blinded by pigeons. It is a story about an orphaned girl and it focusses on her rising into higher status and redeeming with happiness through hard work, suffer and marriage. Then again, the story gives us the patriarchal perspective of marriage and its importance by showing a poor girl’s struggling for rising into power and changing her status within this hierarchical society. The story can be interpreted from so many perspectives such as sociological, Freudian, feminism. But its theme is simple, young women can be saved by wealthy men. The golden slipper in the story stands there as a symbol of perfectness or perfect life. The story narrates the recovery process of a poor girl’s after an early wound such as loss of her mother. It is a process of person’s redeem and reaching happiness through hard working. Therefor the story represents a person’s search for identity and self-esteem. The tale opens with an initial situation and the narration of characters as usual but then suddenly a member of the family leaves the family as it happened in the case of mother. Interdiction also comes in this moment, the mother tells her daughter right before her death, remain pious and good only then our dear god will protect you. After a time later, her ignorant father marries again and evil stepmother and stepsisters appears as villain to start their devilish deeds. She loses her social status and starts to live her life as a maid in the kitchen. Throughout the story she keeps her dignity against to all evil dee ds of the sisters and as a result her donor appears in the form of pigeons and grant tree. The donor offers her dreams to her and also through these it tries to test her. Eventually she passes all her tests by remaining pious and takes care of the wicked  step family. As a result, her foot fits to slippery shoe as an embodiment of perfectness. The story ends with a happy ending. There are different explanations of the story. We can think the slippery as the woman and we can think the foot as the man and their union as the perfect union of man and woman. From this point of view, story is about a woman’s search for sexual fulfillment. We can also look at it with a sociological perspective. Then we can say, it is about a woman’s struggle for rising into power within a patriarchal society through marriage. Prince choses Cinderella because her foots are tiny while sisters not. Her foots are tiny because she is coming from an upper class unlike them, but she loses her social status. In the end of the story, she manages to replace her social status through marriage and redeems with life. It is also a good role model for feminism for showing how young girls and women should not be. Cinderella is a kind, pious and passive girl. She can’t make stand for herself. She is waiting a prince for herself to rescue her from the misery and all of her actions are against to feminist ideas. Modern woman is expected to be more assertive in order to survive in the world but she can’t. Instead of that she is acting more pious by thinking that her dignity will save her. And this situation is giving us a sociological insight about the feudal European society. Enter Sandman Ernst Theodor Amadeus Hoffmann was a German Romantic writer, critic, musician and composer who opened his eyes to earth in 1776. He was famous with his works of horror and fantasy fiction. He is the author of The Nutcracker and the Mouse King, on which famous The Nutcracker ballet based. In 1816, he composed one of his fantastic, horror stories which known as â€Å"The Sandman† and published it in 1817 within short story collection, known as â€Å"The Night Pieces†. The sandman is story about a childhood trauma that in the form of letters. It starts a bizarre and horrifying childhood story about a creature known as Sandman. The first letter is from Nathanael to Lothar. According to Nathanael, The sandman is a creature of night who is visiting unsleeping children and bleeding them with his sands to steal their eyes for feeding his own children on the moon. Scary isn’t it? This story becomes an obsession for him. And one night he plans to spy it and hides himself t o his father’s room. In there he sees Coppelius, a lawyer and one of his father’s associates and he catches him and desires to burn his eyes. But his father  stands against for him. Nathanael becomes ill and his father dies after a while in an experiment while working with Coppelius. The Coppelius disappears. Nathanael becomes a student and meets with an optician known as Coppola and buys a Spy-glass from him. Through this spy-glass he sees Olympia, an automaton created by Spalanzani and Coppola. And he loves this automaton unreasonably. But two men falls into an argument and Coppolla takes the eyes of automaton and throws them to Nathanael. This event reminds Nathanael the argument between his father and Coppelius. And Nathanael falls into a state of sanity. After recovering his mind, he goes directly to Clara to marry with her. While spending time with her, he suddenly sees Coppelius and goes insane. He tries to kill clara, but her brother saves him. Unfortunately he jumps off from the tower and dies. The uncanny is a concept in human psychology that means something extraordinary familiar and not familiar at the same time. Sigmund Freud was an Austrian neurologist who wrote about this concept in his The Uncanny and published it in 1919. He tried to analyze this concept by using Hoffmann’s The Sandman because of its extraordinary content. According the Freud, the uncanny is the mar k of the returning repressed memory. For Freud, the reason of the uncanny in this story is the fear of losing eyes. He associates the idea of losing eyes with the fear of castration and he suggests the story of Oedipus as his example. He argued that the most appropriate punishment of Oedipus’ crimes was the castration yet this showed on the stage in the form of losing eyes. Coppelius is Nathanael’s hatred against of his father for his castration and he interferes his all relationships which he both loves and hates. After this bad experience, he represses all his bad memories and forgets what happened in the past. With the reanimation of first shocking scene (losing of one’s eyes) in the second scene, he once again remembers everything but also loses his mind. This is the uncanny of the story which reminds his past. Coppola and Spalanzini are nothing but the representation of his father’s sides and Olympia which they made together is the personification of Nathaniel’s feminine attitude towards his father in his infancy. It is his doppelganger. That is why Nathaniel confronts Olympia as a person and loves it with a narcissistic kind of senseless love. It is a natural situation which he created after his castration because of being unable to love. As a result, he realizes this truth with the reappearance of Coppelius  once again while looking through the spy-glass. Looking through the glass is a kind of rationalization process. Nathaniel tries to explain all these events with the imagination until his usage of glass. And in each time when he use it, he loses his mind because of confronting with the sober truth.

Understanding Of The Social Work Profession - 988 Words

Personal Statement Understanding of the Social Work Profession For many, the primary mission of the profession of social work is enhancing the needs of those that are considered vulnerable, oppressed, and living in poverty. My understanding of the social work profession is helping someone to make positive changes in his or her life that result in a better quality of life. This is also true when promoting the wellbeing of the community in a social context. As social workers it is easy to become prioritized with satisfying our livelihoods, by becoming professionalized (academically) and advocating for clients; this causes a disconnect from the struggles in our communities such as economic, racial, and gender-based injustices (Boland, 2014). This disconnect is developed when there is more professional focus on the injustices faced by the client, when in reality both the client and community are equally important to the profession and advocacy of social work. Understanding the social work profession, to me, means having the heart and mindset to advocate for those that society considers undeserving. This understanding also extends to the environment as a whole; social workers should work to change not only the person in his or her environment, but the environment itself, to correct social injustices (Boland, 2014). Professions dealing with the health and mental health of individuals have had a central focus on strengthening an individual (Gitterman, 2014). TheseShow MoreRelatedMy Understanding Of The Profession Of Social Work Essay1340 Words   |  6 Pages My understanding of the profession of social work is to enhance human well-being and to help meet the basic needs of all society, especially the needs of the most vulnerable, oppressed, and the needs of the people living in poverty. Social work leading duties are to promote social justice and social change on behalf of clients. 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